'Out of this World', Imperial War Museum 14-18 NOW Legacy Fund commission, Glynn Vivian Gallery, Swansea, 2024
'Out of this World', Imperial War Museum 14-18 NOW Legacy Fund commission, Glynn Vivian Gallery, Swansea, 2024. Artist's collage.
'Out of this World', Imperial War Museum 14-18 NOW Legacy Fund commission, Glynn Vivian Gallery, Swansea, 2024
'Out of this World', Imperial War Museum 14-18 NOW Legacy Fund commission, Glynn Vivian Gallery, Swansea, 2024
'Out of this World', Imperial War Museum 14-18 NOW Legacy Fund commission, Glynn Vivian Gallery, Swansea, 2024
EXTRA TIME, artist's working collage, 2023
EXTRA TIME, Kunsthalle St Annen, Lubeck, Germany, 2024
EXTRA TIME, Kunsthalle St Annen, Lubeck, Germany, 2024
EXTRA TIME, Kunsthalle St Annen, Lubeck, Germany, 2024
EXTRA TIME, Kunsthalle St Annen, Lubeck, Germany, 2024
EXTRA TIME, artist's working collage, 2023
EXTRA TIME, Kunsthalle St Annen, Lubeck, Germany, 2024
EXTRA TIME, Kunsthalle St Annen, Lubeck, Germany, 2024
EXTRA TIME, Kunsthalle St Annen, Lubeck, Germany, 2024
EXTRA TIME, Kunsthalle St Annen, Lubeck, Germany, 2024
EXTRA TIME, artist's working collage, 2023
EXTRA TIME, Kunsthalle St Annen, Lubeck, Germany, 2024
EXTRA TIME, Kunsthalle St Annen, Lubeck, Germany, 2024
EXTRA TIME, Kunsthalle St Annen, Lubeck, Germany, 2024
EXTRA TIME, Kunsthalle St Annen, Lubeck, Germany, 2024
EXTRA TIME, Kunsthalle St Annen, Lubeck, Germany, 2024
EXTRA TIME, artist's working collage, 2023
EXTRA TIME, Kunsthalle St Annen, Lubeck, Germany, 2024
PLAN FOR THE WEEK AHEAD, magazine print and pen on paper, 2023
Dream of an unrealised playground, 2024
Dream of an unrealised playground,, 2024
Dream of an unrealised playground, 2024
SLOTH, ink on paper, limited edition print for Art Night, 2023
DREAM LAND, commissioned by Art Fund / Wild Escape, BBC Archives and Art Night, Cooper Gallery, Dundee, 2023
DREAM LAND, commissioned by Art Fund / Wild Escape, BBC Archives and Art Night, Cooper Gallery, Dundee, 2023
Dream Land, artist's working collage, Cooper Gallery install, Art Night x Art Fund x BBC Archives, 2023
DREAM LAND, commissioned by Art Fund / Wild Escape, BBC Archives and Art Night, Cooper Gallery, Dundee, 2023
DREAM LAND, commissioned by Art Fund / Wild Escape, BBC Archives and Art Night, Cooper Gallery, Dundee, 2023
DREAM LAND, commissioned by Art Fund / Wild Escape, BBC Archives and Art Night, Cooper Gallery, Dundee, 2023
DREAM LAND, commissioned by Art Fund / Wild Escape, BBC Archives and Art Night, Cooper Gallery, Dundee, 2023
DREAM LAND, commissioned by Art Fund / Wild Escape, BBC Archives and Art Night, Cooper Gallery, Dundee, 2023
MOURNING RITUAL, live performance for Art Night, Cooper Gallery, Dundee, 2023
MOURNING RITUAL, live performance for Art Night, Cooper Gallery, Dundee, 2023
DREAM LAND, commissioned by Art Fund / Wild Escape, BBC Archives and Art Night, Cooper Gallery, Dundee, 2023
LONG WAY BACK, cardboard, paint, marker pen, chalk, tape, raisin, British Art Show 9, Plymouth Arts Centre, 2022
LONG WAY BACK, cardboard, paint, marker pen, chalk, tape, raisin, British Art Show 9, Plymouth Arts Centre, 2022
LONG WAY BACK, cardboard, paint, marker pen, chalk, tape, raisin, British Art Show 9, Plymouth Arts Centre, 2022
RUPTURE No 6: biting the blowtorched peach, Turner Prize, Tate Liverpool, 2022
RUPTURE No 6: biting the blowtorched peach, Turner Prize, Tate Liverpool, 2022
RUPTURE No 6: biting the blowtorched peach, Turner Prize, Tate Liverpool, 2022
RUPTURE No 6: biting the blowtorched peach, Turner Prize, Tate Liverpool, 2022
RUPTURE No 6: biting the blowtorched peach, Turner Prize, Tate Liverpool, 2022
RUPTURE No 6: biting the blowtorched peach, Turner Prize, Tate Liverpool, 2022
RUPTURE No 6: biting the blowtorched peach, Turner Prize, Tate Liverpool, 2022
WHAT THE SEAGRASS SAYS, limited edition print for WWF / Art for Your World, 2021. Silk screen on 4.5mm EB Flute corrugated card. Hand finished with torn edges.
RUPTURE, artist's digital print for Tate Etc. magazine, 2021
RUPTURE, artist's digital print for Tate Etc. magazine, 2021
Purple Zone, still from music video for Soft Cell tour, 2023
Purple Zone, still from music video for Soft Cell tour, 2023
Purple Zone, still from music video for Soft Cell tour, 2023
Dream of an unrealised koala, 2021
Dream of an unrealised koala, 2021
Dream of an unrealised koala, 2021
Dream of an unrealised koala, 2021
The Mystery Is Solved by Living It, ink on paper, 2020 (gift to Drawing Room Biennial, 2021)
RUPTURE No 1: blowtorching the bitten peach, Duveen Galleries commission, Tate Britain, 2021
RUPTURE No 1: blowtorching the bitten peach, Duveen Galleries commission, Tate Britain, 2021
RUPTURE No 1: blowtorching the bitten peach, Duveen Galleries commission, Tate Britain, 2021
RUPTURE No 1: blowtorching the bitten peach, Duveen Galleries commission, Tate Britain, 2021
RUPTURE No 1: blowtorching the bitten peach, Duveen Galleries commission, Tate Britain, 2021
RUPTURE No 1: blowtorching the bitten peach, Duveen Galleries commission, Tate Britain, 2021
RUPTURE No 1: blowtorching the bitten peach, Duveen Galleries commission, Tate Britain, 2021
RUPTURE No 1: blowtorching the bitten peach, Duveen Galleries commission, Tate Britain, 2021
RUPTURE No 1: blowtorching the bitten peach, Duveen Galleries commission, Tate Britain, 2021
IT'S AS IF / ALL BODIES / HAVE COME TO LIFE / AGAIN, paint and marker pen on newsprint, limited edition print for POET SLASH ARTIST, Manchester International Festival, 2021
MAYBE WHEN I / RETURN / THINGS WILL BE / DIFFERENT, marker pen on cardboard box, 2020
WE HAD THE WAVE / OF THE FUTURE / RUSHING UNDER OUR / WEAKENING THIGHS, marker pen on cardboard box, 2020
IT'S A GUTSY THING / TO KEEP FEELING / THE WORLD'S MOVEMENTS, marker pen on cardboard box, 2020
I'D FORGOTTEN THAT THINGS CAN BE / GORGEOUS / IN THE MIDDLE OF TUMULT, marker pen on cardboard box, 2020
WHEN THE NEWS VEERS IN FROM THE NORTH / (GET THAT TOWEL), marker pen on cardboard box, 2020
OOOOO, marker pen on cardboard box, 2020
WORLD OF INTERIORS, marker pen on cardboard box, 2020
Almost Gone, feature-length audio collage for BBC Radio 3, 2020. Produced by Reduced Listening.
THE END, Fourth Plinth commission, Trafalgar Square, artist's working collage, 2015
THE END, Fourth Plinth commission, Trafalgar Square, artist's working collage, 2015
THE END, Fourth Plinth commission, Trafalgar Square, maquette, 2016
THE END, Fourth Plinth commission, Trafalgar Square, 2020. Photo credit: David Parry
VOLTA, audio collage, commissioned by Art on the Underground to coincide with THE END, Fourth Plinth, Trafalgar Square, 2020
THE END, Fourth Plinth commission, Trafalgar Square, 2020. Photo credit: David Parry
VOLTA / THE END, live drone feed and audio collage, website home page, 2020
Mesocosmic Indoor Overture, Martin Gropius Bau, Berlin, artist's working collage, 2019
Mesocosmic Indoor Overture, Martin Gropius Bau, Berlin, still from video, 2019
Mesocosmic Indoor Overture, Martin Gropius Bau, Berlin, installation view, 2019
Mesocosmic Indoor Overture, Martin Gropius Bau, Berlin, installation view, 2019
Mesocosmic Indoor Overture, Martin Gropius Bau, Berlin, installation view, 2019
Mesocosmic Indoor Overture, Martin Gropius Bau, Berlin, installation view, 2019
Mesocosmic Indoor Overture, Martin Gropius Bau, Berlin, artist's working collage, 2019
Mesocosmic Indoor Overture, Martin Gropius Bau, Berlin, installation view, 2019
Mesocosmic Indoor Overture, Martin Gropius Bau, Berlin, installation view, 2019
Cyclonic Palate-cleanser, Sharjah Biennial 2019, artist's working collage
Cyclonic Palate-cleanser, Sharjah Biennial 2019
Cyclonic Palate-cleanser, Sharjah Biennial 2019
Cyclonic Palate-cleanser, Sharjah Biennial 2019
Cyclonic Palate-cleanser, still from video, Sharjah Biennial 2019
Cyclonic Palate-cleanser, Sharjah Biennial 2019
Cyclonic Palate-cleanser, still from video, Sharjah Biennial 2019
Cyclonic Palate-cleanser, Sharjah Biennial 2019
Cyclonic Palate-cleanser, Sharjah Biennial 2019
Cyclonic Palate-cleanser, still from video, Sharjah Biennial 2019
Age of Love, BALTIC Centre for Contemporary Art, Gateshead, 2018
Age of Love, BALTIC Centre for Contemporary Art, Gateshead, artist's working collage, 2018
Age of Love, BALTIC Centre for Contemporary Art, Gateshead, 2018
The Age of Love, still from video, BALTIC Centre for Contemporary Art, Gateshead, 2018
Age of Love, BALTIC Centre for Contemporary Art, Gateshead, 2018
STATUS EPILEPTICUS, online project, Museum of Contemporary Art Chicago, 2018
STATUS EPILEPTICUS, online project, Museum of Contemporary Art Chicago, 2018
STATUS EPILEPTICUS, online project, Museum of Contemporary Art Chicago, 2018
escalator panels, commissioned by Art on the Underground, Notting Hill Gate and Bethnal Green underground stations, 2018-19
escalator panels, commissioned by Art on the Underground, Notting Hill Gate and Bethnal Green underground stations, 2018-19
escalator panels, commissioned by Art on the Underground, Notting Hill Gate and Bethnal Green underground stations, 2018-19
escalator panels, commissioned by Art on the Underground, Notting Hill Gate and Bethnal Green underground stations, 2018-19
my name is lettie eggsyrub, Gloucester Road underground station, commissioned by Art on the Underground, 2018
my name is lettie eggsyrub, Gloucester Road underground station, commissioned by Art on the Underground, 2018
my name is lettie eggsyrub, Gloucester Road underground station, commissioned by Art on the Underground, 2018
my name is lettie eggsyrub, Gloucester Road underground station, commissioned by Art on the Underground, 2018
my name is lettie eggsyrub, Gloucester Road underground station, commissioned by Art on the Underground, 2018
Unrealised poster for London underground network, Art on the Underground, 2018
Whip-hot & Grippy, Heather Phillipson, Bloodaxe Books, 2018. Poetry collection.
Whip-hot & Grippy, Heather Phillipson, Bloodaxe Books, 2018. Poetry collection.
WHAT'S THE DAMAGE, still from video, 2018
WHAT'S THE DAMAGE, instllation view at Colori, Castello di Rivoli, Turin, 2018
WHAT'S THE DAMAGE, still from video, 2018
WHAT'S THE DAMAGE, still from video, 2018
SOMETIMES I FEEL OPTIMISTIC, handkerchief commissioned by London College of Fashion, UAL, 2018
IT WOULD BE WEIRDER / NOT TO BE HAVING NIGHTMARES RIGHT NOW, pen and digital collage, 2017. Gift to the Drawing Room Biennial.
ENDING ALL PARTIES / EXCEPT THE PARTY / WHERE U MEET YOUR OWN BRAIN, digital print on paper, pen, paint, gaffer tape, Drawing Room residency, Drawing Room, London, 2017
ENDING ALL PARTIES / EXCEPT THE PARTY / WHERE U MEET YOUR OWN BRAIN, digital print on paper, pen, paint, gaffer tape, Drawing Room residency, Drawing Room, London, 2017 (detail)
ENDING ALL PARTIES / EXCEPT THE PARTY / WHERE U MEET YOUR OWN BRAIN, digital print on paper, pen, paint, gaffer tape, Drawing Room residency, Drawing Room, London, 2017 (detail)
more flinching, video, audio, sculpture, turntable, paint, tape, freely distributed text, Whitechapel Gallery writer's residency and exhibition, 2016
ENDING ALL PARTIES / EXCEPT THE PARTY / WHERE U MEET YOUR OWN BRAIN, digital print on paper, pen, paint, gaffer tape, Drawing Room residency, Drawing Room, London, 2017 (detail)
of Violence, video commission by Film London for Random Acts, Channel 4 television, 2017
of Violence, video commission by Film London for Random Acts, Channel 4 television, 2017
Shit Poetry, one of a series of essays for Art Review magazine, published between 2016-17
Shit Poetry, one of a series of essays for Art Review magazine, published between 2016-17
more flinching, video, audio, sculpture, turntable, paint, tape, freely distributed text, Whitechapel Gallery writer's residency and exhibition, 2016
more flinching, video, audio, sculpture, turntable, paint, tape, freely distributed text, Whitechapel Gallery writer's residency and exhibition, 2016
more flinching, video, audio, sculpture, turntable, paint, tape, freely distributed text, Whitechapel Gallery writer's residency and exhibition, 2016
more flinching, video, audio, sculpture, turntable, paint, tape, freely distributed text, Whitechapel Gallery writer's residency and exhibition, 2016
more flinching, video, audio, sculpture, turntable, paint, tape, freely distributed text, Whitechapel Gallery writer's residency and exhibition, 2016
100% OTHER FIBRES, installation view at 'PEACE', Schirn Kunsthalle, Frankfurt, 2016
100% OTHER FIBRES, installation view at 'PEACE', Schirn Kunsthalle, Frankfurt, 2016
100% OTHER FIBRES, installation view at 'PEACE', Schirn Kunsthalle, Frankfurt, 2016
100% OTHER FIBRES, installation view at 'PEACE', Schirn Kunsthalle, Frankfurt, 2016
100% OTHER FIBRES, installation view at 'PEACE', Schirn Kunsthalle, Frankfurt, 2016
100% OTHER FIBRES, installation view at 'PEACE', Schirn Kunsthalle, Frankfurt, 2016
100% OTHER FIBRES, installation view at Cycle Festival, Iceland, 2016
100% OTHER FIBRES, multi-part video and sculptural installation, Frieze Projects, Frieze Art Fair, New York, 2016
100% OTHER FIBRES, multi-part video and sculptural installation, Frieze Projects, Frieze Art Fair, New York, 2016. Artist's working collage.
100% OTHER FIBRES, multi-part video and sculptural installation, Frieze Projects, Frieze Art Fair, New York, 2016. Artist's working collage.
100% OTHER FIBRES, multi-part video and sculptural installation, Frieze Projects, Frieze Art Fair, New York, 2016
100% OTHER FIBRES, multi-part video and sculptural installation, Frieze Projects, Frieze Art Fair, New York, 2016
100% OTHER FIBRES, multi-part video and sculptural installation, Frieze Projects, Frieze Art Fair, New York, 2016. Artist's working collage.
100% OTHER FIBRES, multi-part video and sculptural installation, Frieze Projects, Frieze Art Fair, New York, 2016.
TRUE TO SIZE, still from video, Arts Council Collection commission, 2016
TRUE TO SIZE, Arts Council Collection commission, 2016. Artist's working collage.
TRUE TO SIZE, Arts Council Collection commission, installation view at Plymouth Arts Centre, 2016
TRUE TO SIZE, Arts Council Collection commission, 2016. Artist's working collage.
TRUE TO SIZE, Arts Council Collection commission, 2016
TRUE TO SIZE, Arts Council Collection commission, installation view at Plymouth Arts Centre, 2016
TRUE TO SIZE, Arts Council Collection commission, installation view at Plymouth Arts Centre, 2016
TRUE TO SIZE, Arts Council Collection commission, installation view at Plymouth Arts Centre, 2016
FINAL DAYS, installation at Castle Shopping Centre, Sheffield, Sheffield Doc Fest, 2015
FINAL DAYS, installation at Castle Shopping Centre, Sheffield, Sheffield Doc Fest, 2015
FINAL DAYS, installation at Castle Shopping Centre, Sheffield, Sheffield Doc Fest, 2015
FINAL DAYS, installation at Castle Shopping Centre, Sheffield, Sheffield Doc Fest, 2015
FINAL DAYS, Performa, New York, 2015
FINAL DAYS, Performa, New York, 2015
EAT HERE. sculptural and video installation, Schirn Kunsthalle, Frankfurt, 2015-16
EAT HERE. sculptural and video installation, Schirn Kunsthalle, Frankfurt, 2015-16
EAT HERE, Schirn Kunsthalle, Frankfurt, 2015-16. Artist's working collage.
COMMISERATIONS! still from video, included in EAT HERE. sculptural and video installation, Schirn Kunsthalle, Frankfurt, 2015-16
EAT HERE. sculptural and video installation, Schirn Kunsthalle, Frankfurt, 2015-16
COMMISERATIONS! still from video, included in EAT HERE. sculptural and video installation, Schirn Kunsthalle, Frankfurt, 2015-16
Heather Phillipson, UNFIT FOR FEELING, The House Hotel Galatasaray, Istanbul Biennial, September 5 – November 1, 2015
Heather Phillipson, UNFIT FOR FEELING, The House Hotel Galatasaray, Istanbul Biennial, September 5 – November 1, 2015
Heather Phillipson, UNFIT FOR FEELING, The House Hotel Galatasaray, Istanbul Biennial, September 5 – November 1, 2015
Heather Phillipson, UNFIT FOR FEELING, The House Hotel Galatasaray, Istanbul Biennial, September 5 – November 1, 2015. Artist's working collage.
Heather Phillipson, UNFIT FOR FEELING, The House Hotel Galatasaray, Istanbul Biennial, September 5 – November 1, 2015
Heather Phillipson, UNFIT FOR FEELING, The House Hotel Galatasaray, Istanbul Biennial, September 5 – November 1, 2015
Heather Phillipson, UNFIT FOR FEELING, The House Hotel Galatasaray, Istanbul Biennial, September 5 – November 1, 2015
Heather Phillipson, UNFIT FOR FEELING, The House Hotel Galatasaray, Istanbul Biennial, September 5 – November 1, 2015
Extinction Marathon stage design, Serpentine Gallery, 2014, artist's working collage
Extinction Marathon stage design, Serpentine Gallery, 2014 (photograph featuring Etel Adnan)
Extinction Marathon stage design, Serpentine Gallery, 2014
Extinction Marathon stage design, Serpentine Gallery, 2014
Extinction Marathon stage design, Serpentine Gallery, 2014 (photograph featuring Gilbert & George)
SERIOUS TRACTION, digital artwork for Opening Times website, 2014
SERIOUS TRACTION, digital artwork for Opening Times website, 2014
sub-fusc love-feast, multi-part video, audio and sculptural installation, Dundee Contemporary Arts, 2014
sub-fusc love-feast, multi-part video, audio and sculptural installation, Dundee Contemporary Arts, 2014
sub-fusc love-feast, multi-part video, audio and sculptural installation, Dundee Contemporary Arts, 2014
sub-fusc love-feast, multi-part video, audio and sculptural installation, Dundee Contemporary Arts, 2014
sub-fusc love-feast, multi-part video, audio and sculptural installation, Dundee Contemporary Arts, 2014
sub-fusc love-feast, multi-part video, audio and sculptural installation, Dundee Contemporary Arts, 2014
sub-fusc love-feast, multi-part video, audio and sculptural installation, Dundee Contemporary Arts, 2014
sub-fusc love-feast, multi-part video, audio and sculptural installation, Dundee Contemporary Arts, 2014
put the goat in the goat boat, still from video, 2014
the flavour of cooling enormities, live event, Park Nights, Serpentine Gallery, London, 2014
the flavour of cooling enormities, live event, Park Nights, Serpentine Gallery, London, 2014, artist's working collage
the flavour of cooling enormities, live event, Park Nights, Serpentine Gallery, London, 2014
the flavour of cooling enormities, live event, Park Nights, Serpentine Gallery, London, 2014
the flavour of cooling enormities, live event, Park Nights, Serpentine Gallery, London, 2014
put the goat in the goat boat, artist's working collage for Biennial of Moving Images, Geneva, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
THE ORIGINAL EROGENOUS ZONE, solo booth for with Rowing Projects, Brussels Art Fair, 2014
BOG-STANDARD REFRESHER, live music event, Heather Phillipson and Edwin Burdis, Institute of Contemporary Art, London, 2014
BOG-STANDARD REFRESHER, live music event, Heather Phillipson and Edwin Burdis, Institute of Contemporary Art, London, 2014
BOG-STANDARD REFRESHER, live music event, Heather Phillipson and Edwin Burdis, Institute of Contemporary Art, London, 2014
Polyrhythmic swim-time in a bath of unspilled feelings, still from 'talking pictures' (video with live voice) series, 2013
yes, surprising is existence in the post-vegetal cosmorama, installation views at BALTIC Centre for Contemporary Art Gateshead, 2013, and Grundy Art Gallery, 2014
yes, surprising is existence in the post-vegetal cosmorama, installation views at BALTIC Centre for Contemporary Art Gateshead, 2013, and Grundy Art Gallery, 2014
yes, surprising is existence in the post-vegetal cosmorama, installation views at BALTIC Centre for Contemporary Art Gateshead, 2013, and Grundy Art Gallery, 2014
yes, surprising is existence in the post-vegetal cosmorama, installation views at BALTIC Centre for Contemporary Art Gateshead, 2013, and Grundy Art Gallery, 2014
yes, surprising is existence in the post-vegetal cosmorama, installation views at BALTIC Centre for Contemporary Art Gateshead, 2013, and Grundy Art Gallery, 2014
yes, surprising is existence in the post-vegetal cosmorama, installation views at BALTIC Centre for Contemporary Art Gateshead, 2013, and Grundy Art Gallery, 2014
yes, surprising is existence in the post-vegetal cosmorama, installation views at BALTIC Centre for Contemporary Art Gateshead, 2013, and Grundy Art Gallery, 2014
yes, surprising is existence in the post-vegetal cosmorama, installation views at BALTIC Centre for Contemporary Art Gateshead, 2013, and Grundy Art Gallery, 2014
yes, surprising is existence in the post-vegetal cosmorama, installation view at BALTIC Centre for Contemporary Art Gateshead, 2013
immediately and for a short time, balloons, weapons, worries of all kinds, too-tight clothing, Bunker259, New York, 2014
immediately and for a short time, balloons, weapons, worries of all kinds, too-tight clothing, Bunker259, New York, 2014
immediately and for a short time, balloons, weapons, worries of all kinds, too-tight clothing, Bunker259, New York, 2014
immediately and for a short time, balloons, weapons, worries of all kinds, too-tight clothing, Bunker259, New York, 2014. Artist's working collage.
immediately and for a short time, balloons, weapons, worries of all kinds, too-tight clothing, Bunker259, New York, 2014
Instant-flex 718, Heather Phillipson, Bloodaxe Books, 2013 (full-length poetry collection)
splashy phasings, still from video commission by BALTIC Centre for Contemporary Art and Random Acts, Channel 4 television, 2013
splashy phasings, still from video commission by BALTIC Centre for Contemporary Art and Random Acts, Channel 4 television, 2013
splashy phasings, video commission by BALTIC Centre for Contemporary Art and Random Acts, Channel 4 television, 2013

through the flesh-tone scenario, the imported combi-boudoir, installation view at Invites series, Zabludowicz Collection, 2013

through the flesh-tone scenario, the imported combi-boudoir, installation view at Invites series, Zabludowicz Collection, 2013

through the flesh-tone scenario, the imported combi-boudoir, installation view at Invites series, Zabludowicz Collection, 2013

through the flesh-tone scenario, the imported combi-boudoir, artist's working collage

through the flesh-tone scenario, the imported combi-boudoir, installation view at Invites series, Zabludowicz Collection, 2013

through the flesh-tone scenario, the imported combi-boudoir, installation view at Invites series, Zabludowicz Collection, 2013

through the flesh-tone scenario, the imported combi-boudoir, installation view at Invites series, Zabludowicz Collection, 2013

through the flesh-tone scenario, the imported combi-boudoir, installation view at Invites series, Zabludowicz Collection, 2013

through the flesh-tone scenario, the imported combi-boudoir, installation view at Invites series, Zabludowicz Collection, 2013

through the flesh-tone scenario, the imported combi-boudoir, installation view at Invites series, Zabludowicz Collection, 2013

through the flesh-tone scenario, the imported combi-boudoir, installation view at Invites series, Zabludowicz Collection, 2013

through the flesh-tone scenario, the imported combi-boudoir, installation view at Invites series, Zabludowicz Collection, 2013

through the flesh-tone scenario, the imported combi-boudoir, installation view at Invites series, Zabludowicz Collection, 2013

Zero-point Garbage Matte, installation view at Flat Time House, London, 2012
Zero-point Garbage Matte, installation view at Flat Time House, London, 2012

Zero-point Garbage Matte, installation view at Flat Time House, London, 2012
A Is to D What E Is to H, installation view at the London Open, Whitechapel Gallery, London, 2012

A Is to D What E Is to H, still from video, 2012
A Is to D What E Is to H, artist's working maquette, 2012

THIS TIME IT'S PERSONAL, still from 'talking pictures' (video with live voice series), 2012

THIS TIME IT'S PERSONAL, still from 'talking pictures' (video with live voice series), 2012

THIS TIME IT'S PERSONAL, still from 'talking pictures' (video with live voice series), 2012

Well, this is embarrassing., still from 'talking pictures' (video with live voice series), 2011

Well, this is embarrassing., still from 'talking pictures' (video with live voice series), 2011

Well, this is embarrassing., still from 'talking pictures' (video with live voice series), 2011

Heather Phillipson, Faber New Poets (poetry pamphlet), Faber & Faber, 2009

REBUS, or The Farewell Note That Says More Than It Says, still from video, 2007